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Flashman in the Great Game: A Novel (Flashman)

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Manufacturer: Plume
List Price: $15.00
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Average Customer Ratings:

One of literature's most delightful rakes is back in another tale of rollicking adventure and tantalizing seduction. The plucky Flashman's latest escapades are sure to entertain devotees as well as attract new aficionados.


DESCRIPTION:

Binding: Paperback
Dewey Decimal Number: 823.914
EAN: 9780452263031
ISBN: 0452263034
Label: Plume
Manufacturer: Plume
Number Of Items: 1
Number Of Pages: 336
Publication Date: 1989-09-30
Publisher: Plume
Studio: Plume


SIMILAR ITEMS:

• Flashman at the Charge (Flashman)
• Flash for Freedom! (Flashman)
• Flashman's Lady (Flashman)
• Flashman and the Mountain of Light (Flashman)
• Flashman and the Dragon (Flashman)


CUSTOMER REVIEWS:

Customer Rating:
Summary: One of the best of the Flashman series
Comment: With the exception of "Royal Flash" and two of the stories in "Flashman and the Tiger", I give all the Flashman stories 5 stars. They are that great. However, for sheer twisted brilliance of plot, I rank this one up there with "Flash for Freedom". In those two books, George MacDonald Fraser puts his protagonist through the most hilarious, yet unbelievably sadistic situations you could possibly imagine, and just when you think our (anti) hero has finally escaped the jaws of death, GMF delightfully trips him up and throws him back to the wolves. This ending of this particular novel is pure genius and would alone be worth the price of the book, even if it weren't preceded by some of the greatest historical fiction and humor ever written. Who ever thought the Indian Mutiny could be so much fun?
Customer Rating:
Summary: An Ambivalence Wrapped Up in an Ambiguity
Comment: Midway through his memoirs of the Indian Mutiny of 1857, Harry Flashman ruminates: What beats me is the way people take it to heart -- what do they expect in war? It ain't conducted by missionaries, or chaps in Liberal clubs, snug and secure. But what amuses me most is the fashionable way views change -- why, for years after Cawnpore, any vengeance wreaked on an Indian, mutineer or not, was regarded as just vengeance. Now it's t'other way round, with eminent writers crying shame, and saying nothing justified such terrible retribution as Neill took, and we were far guiltier than the n-gg-rs has been. Why? Because we were Christians, and supposed to know better? -- and because England contains this great crowd of noisy know-alls that are forever defending our enemies' behaviour and crying out in pious horror against our own. Why our sins are always so much blacker, I can't fathom...

Sound familiar? It's exactly the sort of rant that we hear every day in reference to Iraq, and that coming from a sputtering red-faced right-winger makes me gnash my teeth. But wait? How are we to take this, coming from Flashman, by his own account the most selfish, self-centered, self-justifying scoundrel in British annals? And then, although we tend to forget, Flashman is a made-up character, a figment of his author's whimsy. Can it possibly be that Flashman's cynicism and racism express George MacDonald Fraser's own thoughts?

Flashman is the ultimate in "undependable narrators" of his own life, precisely because he maintains such a mask of candor. Is his self-mockery sincere, or another of his many poses? Was he really such a craven coward, or is he pulling our legs in some cantakerous old man's jesting? If he was really as indifferent to the suffering of others, so narcissistically lacking in empathy, then why did he suddenly choose to liberate the unknown mutineers, at the end of the book, telling them to scurry home and not get caught again? Is Flashman lying about his lies?

It's a tribute to Fraser's art that I ponder the true nature of his fantasy poltroon. This book, the fifth in the narrative, portrays the Flash as a far deeper psychological enigma than the earlier volumes, in which he was merely a comic blaggart. It's in this book that Fraser truly hits his stride as a descriptive writer, also. The depiction of mayhem and slaughter is vivid to the point of horror. Whatever the overlap between the author and his creature, this ranks as one of the most powerful anti-war novels I've ever read. Human nature is senseless slaughter, and those who release it, from whatever motives, are guilty of hellish crimes.

Harry's erotic adventures in The Great Game are less bawdy, less laughable, than in previous volumes. His tryst with the Rani of Jhansi is almost a perfumed love affair. In that way, I suppose some readers might be disappointed. Fraser's humor is spotted more stingily in this tale, also. What humor there is is rippingly funny, but the ghastliness of the Mutiny overshadows it. I have to take sides here, and declare my faith that Fraser fully intended this book as a resounding condemnation of the British Empire and its ravaging of Indian humanity. I hope I'm right. I'd hate to enjoy his writing so much if Fraser meant what Flashman says.
Customer Rating:
Summary: Best of the lot
Comment: All of the Flashman novels have a great many things to recommend them in terms of witty asides, sardonic observation, historical accuracy,and (what would now be considered PG-13 rated) erotic escapades, but this is the most engrossing and plot driven novel of an already exceptional bunch. Flashy gets into and out of a lot of bad situations throughout his campaigns and career, but this is the first novel where I felt a personal identification with our spineless "hero" and the lengths he would go through just to come out alive on the other side of the tunnel.
Customer Rating:
Summary: Topped Only by the Original
Comment: 'Flashman in the Great Game' takes our man Flash to India just as the Great Mutiny (aka Sepoy Rebellion) was about to get under way in 1857. Flashman soon goes to ground to hide from the arch-fiend Ignatieff. The readers gets something of an insider's view of the rebellion, albeit through Harry Flashman's eyes. Harry finds himself in an unsual number of tight spots and even falls in love, well, as much as Harry can do.

Fraser is really in top form here. I've read about half the Flashman books and this one is topped only by the original.

Highest recommendation.
Customer Rating:
Summary: One of the best Flashman novels
Comment: Flashman novels so uniformly entertain that it's hard to single one out as the best. But the unremitting action and focused detail of "Flashman in the Great Game", set in India during the Sepoy Mutiny of 1857, might qualify it. American readers may know as little about this as they do about the Crimean War, the subject of Flashman's immediately prior adventure. But there is no better way to fill in our gaps of understanding about the British Age of Empire, than to accompany Flashman on his escapades.

Unwilling as always, Flashman is sent to India by Lord Palmerston as a secret emissary to the troublesome Queen Lakshmibai of Jhansi. Flashman is mesmerized by the beautiful and powerful queen, one of the most memorable of Flashman babes, but an assassination attempt sends him into hiding. Disguising himself as a tribesman he enlists in the colonial army, where troops are tense with rumors that they will be given taboo rifle cartridges. They revolt with horrifying violence against British cut off in remote areas with small garrisons. Flashman repeatedly escapes from a frying pan only to find himself in a hotter part of the fire. He witnesses events as synonymous with "atrocity" to the British public of the 19th century as September 11 or Beslan are to us today. Flashman escapes one incident more harrowing than the next. He never loses hope that soon he'll be able to lay low and shirk the rest of his mission, but his hopes are repeatedly dashed until he suddenly finds himself back before the intoxicating Lakshmibai, wondering, with his life on the line, if in fact she actually loves him.

Scrupulously showing colonialism's warts, Fraser depicts brutal British reprisals and suggests with postmodern egalitarianism that each side's violence somehow offsets the other. But in my old-fashioned, post-9/11 opinion the savagery provoking those reprisals was far greater, with barbaric atrocities committed against women, children, surrendering soldiers and the like. Executing a rebel is not the same as hacking a child up with a sabre.

Throughout the Flashman series our antihero's cowardly and bigoted selfishness provide black humor in all manner of grim situations, yet the gravity of the Mutiny necessarily mutes that side of Fraser's writing. The unrelenting violence of this episode limit even Flashman's capacity to be a jerk; he is forced, more often than usual and despite his best intentions, to be noble. As Fraser recreates the Raj in all its glory and inequity, we sense the surreal quality of a few English soldiers controlling a subcontinent with hundreds of millions of residents, and what happens when the resulting powder keg explodes.

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